Monday, September 30, 2013

MY LATE SON

The point, of course, is that if you could push yourself down, right near the end, and with little or no pain, then you would do it in order to feel yourself come back again. I was never your favorite. I never was your favorite son. My brother was your favorite. Or it was my other brother--my half brother from my mother's other marriage--that's your favorite.

The Pilgrim Hawk by Glenway Wescott. An excellent book. A perfect small book.

This is its first sentence:

"The Cullens were Irish; but it was in France that I met them and was able to form an impression of their love and their trouble."

Because of the semi-colon, I'm thinking that that's one big sentence--even though the semi-colon joins two independent clauses. By using the semi-colon, Wescott is saying, "This is one big sentence."

The subject of the first independent clause is "The Cullens.

"the" is a determiner. It is an article. The definite article.

"Cullens" is a plural proper noun.

The main verb of the first independent clause is "were." It is plural and in the past tense. Tense does not mean time, but we can assume from "were" that we are talking about the past.

"Irish" is an adjective. It is a subject complement that modifies "The Cullens." It tells us something about them.

After that independent clause, we have a semi-colon. Following the semi-colon is "but," which, in this case, looks not to be a coordinating conjunction but a conjunctive adverb--sort of similar to a word like "however."

"it was in France that I met them" is something special. This might be what's called a cleft sentence in that I could move things around and change it to "I met them in France." By having a cleft sentence, Wescott puts emphasis on "France," since that word appears in the middle.

"it" would ordinarily be called a pronoun, but it doesn't look to be referring to an antecedent here. I don't know what this "it" is. It might be expletive it. It's not a pronoun--that much must be true.

Since "it" might be an expletive, I'm not sure if it's the true subject. Or it is the subject but not a strong one. (In a more direct sentence "I" would be the subject."

"it" is the subject.

"was" is the main verb. It is the "to be" verb in the past tense.

"in France" is a prepositional phrase.

"in" is the preposition.

"France" is the object of the preposition. This prepositional phrase acts as an adverb of time and place, and it also serves as, I think, the subject complement to "it." But who knows.

"that I met them and was able to form an impression of their love and their trouble" is an adjective clause, which, I think modifies "France." But this is tough since it seems to act adverbally.

"that" is the marker of the relative clause. If I were to diagram it, I think it'd be an expletive, too. That is, it would be on one of those pedestals with the dotted line bases.

"I" is the subject of the adjective clause. It is a first-person pronoun. It has no antecedent. We do not know who "I" is.

"met" is the first verb of the compound main verb that's in the adjective clause. It is a transitive verb and requires a direct object, which is "them."

"them" is a third-person plural pronoun that has to be in an object position of the sentence. It is the direct object.  It has an antecedent, which is "The Cullens."

"and" is a conjunction that joins the two verbs in the main verb--the verb phrase--of the relative clause.

"was" is the other verb in the verb phrase. It is the past tense of "to be." Lots of the "to be" verb so far in this first big sentence.

"able" is an adjective. It is the subject complement of "I." What the narrator is saying is that he has some sort of ability.

"to form an impression of their love and their trouble" is an infinitive clause that modifies "able," so that means that it's an infinitive clause that acts as an adverb.

I wish I were your favorite son, but I am not.

"to form" is the infinitive. It looks like a verb, but it's a verbal. It carries no tense. That's why it's part of a phrase and not a clause.

"an impression" is the direct object of the transitive infinitive verb "to form." Something is forming.

"an" is a determiner. It is an article.

"impression" is a noun.

"of their love and their trouble" is a prepositional phrase with a compound object.

"of" is the preposition.

"their love and their trouble" is the object of the preposition.

"their" is a determiner. It has pronoun qualities to it, too, even though it can't take the place of a noun. Instead, it modifies a noun--all the while pointing back to an antecedent. The antecedent is "The Cullens." Everything in this sentence points back to the Cullens.

"love" is a noun. It is the worst noun in the dictionary. It is an abstract noun that causes so much concrete pain, anguish, shame, and embarrassment. The world would be better if it did not exist as a noun.

"and" is a conjunction that joins the two objects of the preposition. It has a bad attitude about it.

"their" is another determiner. It acts as an adjective in that it modifies "trouble."

"trouble" is also a noun--and it's a far better and more honest noun than "love," which is the worst noun--the worst piece of technology ever to come out of the rotten teeth and stinking tongues of humans. 






















7 MWE: With mud gloves, the terms are set: crushed terns.

faces
Portugal
domination
whether
warn

The phantasmagoria had no fanfare because it happened at a time when lubricant was not abundant. What was abundant was manikins. They saw a woman undressing and dressing a manikin in a window. They saw milk. They saw testy people arguing in the park. In the park, old people waited for young thieves. The thieves had stolen things, and they came to the park to sell those things to old people who lived off very little. She found a key. She did not know what lock that key went to, but she tied string around the key's teeth and said something as she did that. She knew that the key would make her fall in love. She wanted to fall in love, so she numbed her ears with ice and poppy juice. Her grandmother held a needle to a flame.

She ran the needle through her ear lobes. She put string through the holes. Wire through the holes. Cable through the holes. The phantasmagoria passed a family 500,000 years ago. The phantasmagoria passed my grandfather. It passed by me when my son was standing on a trash couch, crying. We flew. We were crabby. We begged each other to leave each other. We lit firecrackers. The child was angry because a dark thing was following. His grandmother told him that that dark thing was his shadow. She said everyone had shadows. She had a shadow! The little dog they were walking had a shadow. But he had gotten to the age where he no longer trusted her. She said she would not suffer fools. She could not suffer fools.

He was afraid to be near her and to speak around her because he had heard that she could not suffer fools. Suffer, fools. He would not succumb to the waste. The grapes were poor this year. The roof had caved in. She learned to make preserves, and that was her way of endearing herself to the neighbors. The neighbors' son had been abused by the dogs they bred. Many black dogs had jumped on him as he floated in a pond. He could not get out. An ache came with each parry.

His father had warned him that if he ate the herb he found in the nest he would lose his tongue in his sleep. His tongue crawled out of his face in his sleep when he was sleeping in a sack he could not stand. There was no herb in the nest. His mother had been pushed into a fire. She learned to deaden her face. That was a skill her husband had taught her. She finished her bath, and when she stepped out the door of the bathroom, she was met by her husband's hands, which fumbled in getting around her neck. He complained that she had hid his guns from him. He wore no trousers. He attempted to develop a paste that could get you drunk but that wouldn't leave you feeling pungent or concrete the next day. They warned each other to leave each other alone.

To fold yourself up for no reason other than to find yourself in a canoe with your brother. You are on the Passaic, and you are both drunk. He tries to throttle you, and you kick him off. Your son is standing on the trash couch, squalling. You were supposed to be watching him, but you have left him crying. You have left him to see a phantasmagoria. But there is no fanfare for it. Many things are in it. Taking the lead is a portrait painter--followed by a bear wrestling an angel. Next, it is a fast piece of hair on the lip of a sleeping woman. She slept on a bench. There is a warm plaque. I felt no glee with the person with whom I saw in the hole. I had a carnation. I had an olive in a carnation.

My son and his sense that he should not like his shadow. He shakes his head at it. He won't wave to it, even if his grandmother asks him to. She was inconsistent in the ocean. Sometimes the bottoms were on, and sometimes they were off. It was not such a bad thing to be spat on. It was not such a bad thing to see a man pushing a rock far larger than he into the ocean.

To be far larger than he he had to eat much meat. He was the person who sold it. He was the person who picked fruit out of the backyards of other people. It was a neighborhood where no one walked dogs. You would see the dogs in frontyards or backyards, but no one walked dogs. It was a place where people would cut off dogs' ears and dogs' tails. She was inconsistent in the ocean or when she drank water. I could never be lighthearted because I ate too many chicken hearts. It came out that I enjoyed them, and I did. I was commended for spitting on my son and on my wife. This, after she spat on me and on him. Our child squalling on the couch.

If you had had a video of it, you'd say it was an abused child. But if you had the video and our explanations, then maybe you'd have something else. Or if our threats came with it. He had a plan for the winter. After the first big snowstorm, he'd pretend to shovel out his drive. After doing that for a bit--enough for the neighbors to see--he'd pack his tailpipe with snow. He'd sit in the backseat of his car, pretending to take a break from shoveling, and, sure, the cab of the car would fill with neon light and seawater and dust in brownian motion, which is a form of dust that, if inhaled, can get you to fall in love so long as you have the key with the string wound around it. As you wind around the string, there are prayers to say. Incantations. Not the argot of thieves but the prayers of sham humans.

Humans who deny a phantasmagoria passed by them when it did. It passed by the prehistoric family. The mother had killed a sick baby mammoth with an atl-atl. It passed by my grandfather, who made a point of being abusive with his wife and three of his children but not with my father. Because my father was not the abused one, I was certain to pay for it. I was certain to eat quince. I was certain to smell mint because someone had driven a riding motor over it. I was certain to have my tennis balls stolen by kids or to have my eye poked out with a spear because I was part of an experiment in which, as a control, a spear is put in my eye. It's supposed to touch the part of my brain that makes me smile and dream.